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https://www.pixar.com/pixar-profiles
Harley Jessup joined Pixar in 1996 as a production designer for Monsters, Inc. He continued his role for the films Ratatouille, Cars 2 and Coco. Here he discusses world-building for Monsters, Inc. Bill Cone joined Pixar in 1992 to work on Toy Story. Bill served as production designer for A Bug's Life, Toy Story 2, Cars 3 and was co-production ...
https://www.fastcompany.com/3051708/4-design-lessons-from-the-pixar-team
Pay Attention To The Details. When approaching a story, Pixar designers focus on two things: the first is “appeal,” or how to get an audience …
https://www.fearlessculture.design/blog-posts/pixar-culture-design-canvas
Pixar establishes the following priorities: In most creative cultures, egos and individualism get in the way. Ed Catmull and his team have put a lot of energy and dedication into building a collective creative culture. Pixar rewards: creativity as a team sport, having fun, excellency (having the same quality bar across all films), and a peer ...
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https://www.amazon.com/Designing-Pixar-Activities-Characters-Stories/dp/1452155054
Cooper Hewitt, Smithsonian Design Museum is the only museum in the U.S. devoted exclusively to historic and contemporary design. John Lasseter is an Academy Award®–winning director and chief creative officer at Walt Disney and Pixar Animation Studios.
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